ADK Audiophile Series Microphones

Odin - BRAND NEW!!!

Description: Unique Three-Way High-Frequency Switch: Mellow, Neutral or Brilliant Tone. ALL THREE S-7 FLAVORS IN ONE MIC! The ADK Odin is a high-SPL, reliable and robust microphone with a 3-way switchable frequency response of all the former S-7 Models! The Odin gives you versatility with detailed, transient rich sound. The dynamic range was set to allow for relatively heavy sound pressure levels, and the two-way pad enables this microphone to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. The Odin is a solid, reliable “High-SPL” Studio Microphone that can also be used “Live”.

Applications: Any moderate to high SPL source, whenever a fast, detailed recording desired: All “pop” and “Rock” vocals – with a pop filter (to protect the capsule from strong blasts of air)Brass – with a pop filter (to protect the capsule from strong blasts of air), Drum kit: Toms, Floor tom, overhead and spot mic’ing, including kick drum, Any amplified instruments – Guitar cabs, bass cabs, Any percussion instrument, Stereo/ambient recording, All stringed instrument, Solo/spot recording, Woodwinds

Thor - BRAND NEW!!!

Description: TRI-POLAR PATTERN + Unique Three-Way High-Frequency Switch: Mellow, Neutral or Brilliant Tone. ALL THREE S-7 FLAVORS IN ONE MIC! The ADK Thor has been designed as a high-SPL, reliable and robust microphone with enough flexibility tone-wise to cover any application. The dynamic range was set to allow for relatively heavy sound pressure levels, and attenuation pads enable these microphones to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. These new microphones are solid, reliable "High-SPL" studio microphones that can also be used "Live".

Description: The ADK A6 has been designed to be reliable and robust with a relatively “neutral” sound colouration. This means that you can use the A6 on almost anything and get a great sound. The dynamic range was set to allow for moderately heavy sound pressure levels but keeping digital recording in mind, the noise floor is also appreciably low. The ADK A6 is a reliable, “all rounder” Studio Microphone which can be also used “Live”.

Applications: All vocals including voice-over work when a natural tone is desired – with a pop filter (to protect the capsule from strong blasts of air), Brass – with a pop filter (to protect the capsule from strong blasts of air), Latin and ethnic, Stereo/ambient recording, All stringed instrument, Harmonica, Accordion, Amplified instruments, Drum kit overheads, Solo/spot recording, Reeds, Woodwinds, Hammond Organ

Vienna Mk 8

Description: Upgraded Version of the Popular Vienna Edition with a More Fine-Tuned Response-Curve Designed to Replicate a Vintage Late 1960’s Austrian Tube (Valve) Mic. The Vienna Mk 8 is the Eighth Generation of ADK Microphones - offering a Sparkling, Iridescent Tonality.

Applications: Great for Vocalists who wants a Sparkling, Sophisticated Sheen. The Vienna Mk8 is a Belgium Design with a Subtle Sparkle that tends to put the source material slightly forward in the mix. Unlike the plethora of bright, brighter and super-bright mics that flood the market, the Vienna Edition has a distinctive “Sheen” that is flattering on Pop and Rock Style Vocalists, Guitars, Pianos, and Percussion. Application for the Vienna would be when you want a shimmering iridescence - Historically the Vintage Austrian Tone.

THE VIENNA FAVOURS ROCK/HIP-HOP VOCALS, COUNTRY ROCK, ACOUSTIC GUITARS, OHs, AND PERCUSSION.

Hamburg Mk 8

Description: Upgraded Version of the Popular Hamburg Edition with a More Fine-Tuned Response-Curve Designed to Replicate a Vintage Late 1950’s German Tube (Valve) Mic. The Hamburg Mk 8 is the Eighth Generation of ADK Microphones - offering a Mellow, Robust Tonality.

Applications: Very Useful for Vocals or Sources needing a Rounder Tone. For Strings, Reeds, Nasal or Thin Vocals, or Vocals with Sibilance Issues – the Hamburg Will Work Wonders! Hamburgs have “Smoothness”, Historically the Classic German Tone.

THE HAMBURG HAS A ROBUST QUALITY THAT TENDS TO ROUND-OUT THE TONE OF THE SOURCE. GREAT ON VOCALS, REEDS, OR BASS ELEMENTS.

Model TC

Description: Class A tube fixed cardioid 1-inch diaphragm condenser mic. Includes 6072A valve, external power supply, shock mount and our premium aluminium flight case.

Applications: LEAD Male and Female Vocals, Acoustic and Electric Guitar, Reed Instruments (Sax), Strings (Violin, Viola, Cello, and Contrabass), Drum Overheads, or anywhere you would use a Vintage Tube Microphone. "This Mic Smokes!!" George Petersen, Mix Magazine.

TT (Area 51 TT)

Description: Class A tube switchable 9-polar pattern condenser mic with dual 1-inch diaphragms. Includes 6072A valve, external power supply, shock mount and our premium aluminium flight case.

Applications: Male and Female Vocals, Acoustic and Electric Guitar, Reed Instruments (Sax), Strings (Violin, Viola, Cello, and Contrabass), Drum Overheads, or anywhere you would use a Vintage Tube Microphone. Great for Broadcast Applications, too! Multi-Patterns offer you a Palette of tone-colors / tone-textures. Amazing! Ray Charles tracked his final 3 CD’s on the TT or CE. “The last Mic Mr. Charles ever fell in love with”. Terry Howard, quoted in Electronic Musician.