SPECIFICATION
Type: prepolarised cardioid condenser microphone
Frequency response: 20-20000Hz (100-16000Hz+-1dB on axis!)
Phantom power: 12 - 48V
current consumption: 3.5 mA
Impedance: <100 Ohm
Sensitivity: 6mV/PA -44dB
S/N ratio (DIN/CCIR): 78dB(A)/68dB
Noise level: 16dB(A)
Max SPL: 135dB @0.5% THD (130dB@24V, 120dB @ 12V)
Size: 77mm x 20mm
This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The response is smooth and flat even at an angle!
The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It even handles amplified instruments! A true allround microphone!
It's suitable for professional studio and PA use, with a pricetag at the hobbyist level!
It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windsheild and microphone holder (clip).
During manufacturing each capsule is measured, selected and trimmed by hand to close tolerances. Out of range capsules are rejected. This in combination with the internal circuitry, results in a response with a unique flatness. These are quality microphones made for demanding situations.
SPECIFICATION
Type: Condenser microphone (permanently biased 10mm capsule)
Polar pattern: Omni
Frequency response: 20-20000Hz +-1dB (on-axis, at 1m distance, 1/12 octave narrow smoothing, 23 C)
Phantom power: 12 - 48V (P48 recommended for best performance)
Current consumption: 4 mA
Impedance: <100 Ohm
Sensitivity: 8mV/PA -42dB
S/N ratio (DIN/CCIR): 76dB(A)/66dB
Noise level: 18dB(A)
Max SPL: 133dB @0.5% THD (130dB@24V, 120dB @ 12V)
Size: 77mm x 20mm
This omnidirectional microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, drum overhead, percussion, overhead choir and voice -with a minimum of colouration. The response is very smooth and flat, with fine off axis performance.
It's suitable for professional studio and PA use, with a pricetag at the hobbyist level!
The small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windsheild and microphone holder (clip).
During manufacturing each capsule is measured, selected and trimmed by us to close tolerances. Out of range capsules are rejected. This in combination with the internal circuitry, results in a response with a unique flatness. These are quality microphones made for demanding situations.
